8 acessos
(first part - this line is repeated several times fast (172)
E E E E E S. E T S. T
|------------------------------|
|------------------------------|
|--0--0--------0--0------------|
|-----------3-------------3----|
There are some fast fills scored like this:
|-3-| |-3-| |-3-| |-3-| |-3-| |--3-| |--3--| 3 3 3
S S S S S S S S S S S S S S S S S S S S S S S T X
--2-2-2-2-2-4-7-7-7-7-7-8-9-9-9-9-9-11-12-12-12-12-12-12-14-|
------------------------------------------------------------|
------------------------------------------------------------|
------------------------------------------------------------|
The reverse scale motif comes in some changes:
S. T S E T E T E X T E S E T
|--L--L---0--L-----------------------|
|--------------4--L-2------0---------|
|-------------------------------4--L-|
|------------------------------------|
Another change:
Q E. T T Q Q Q E. T T Q Q
-------2---L-------------|-------2---L--------2----|
--------------------2----|-------------------------|
--0------------0---------|--0------------0---------|
-------------------------|-------------------------|
A long fast scale precedes the solo:
|-3-| |-3-| |-3-| |-3-|
Q. S S S S S S S S S S S S S S
--L------L---2-2-2-2-2-3-4-4-4-4-4-6-|
-------------------------------------|
-------------------------------------|
-------------------------------------|
|-3-| |-3-| |-3-| |--3-| |--3--| |--3--| |--3--| |--3--|
S S S S S S S S S S S S S S S S S S S S S S S S
---7-7-7-7-7-8-9-9-9-9-9-10-11-11-11-11-11-11-12-12-12-12-12-12-|
--12------------------------16----------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
(bass enters into the keyboard solo tempo starts in 116 going faster)
W H H
--------------------------------------------|
--3-----------------------L--------0--------|
--------------------------------------------|
--------------------------------------------|
W H H W H H
-------------------------------------|-------------------------------------|
-------------------------------------|--3----------------L--------0--------|
----------------------------3--------|-------------------------------------|
--1----------------L-----------------|-------------------------------------|
W H Q. S. T
----------------------------------------|
----------------------------------------|
----------------------------3------L----|
--1----------------L--------------------|
E E E E E. S E S. E T E E E E S. T Q
--------------10-------------------5-----10-------------|
--3--3-----3--------------------------3-----------10----|
---------------------8--8-------8------------8----------|
--------------------------------------------------------|
This is repeated fast as the solo ends going faster:
E T S. E E E E E E T S. E E E E E Q
----------5-----3--4--5-------------5-----10-----------|
-------------3-----------3--L----3-----3---------10----|
--8--8----------------------------------------8--------|
-------------------------------------------------------|
This scale accompanies the drums fill that marks the end of the solo:
3 3 3 3 3 3 3 3
Q. E S.X S S.X S S.X S S. X S S. X S S. X S S. X S E. T S. T
------------14-----12-----11-----|--9------7------6------4------2----------|
--7------------------------------|-----------------------------------------|
---------------------------------|-----------------------------------------|
---------------------------------|------------------------------------3--L-|
Then the main line again (172)
3 3
X S. T E E S. T E E E S. T
----------------------------------|
----------------------------------|
----0----0----------0--0----------|
--L------------3-------------3--L-|
The 2nd solo no bass
Another scale marks the end of the solo
3 3 3 |3| 3 3 3 3 3 3
X Q. S S E X T E X T E X T X E X T E X T E X T E X T E T T E X
|----3------L---3------1------0------|--------------------------------------------|
|------------------------------------|----3------1------0-------------------------|
|------------------------------------|-------------------------3------1--L------1-|
|------------------------------------|---------------------------------------4----|
The main line gets transposed following on
3 3
E T E E S. T E T E. T S. T X
------------------------------------|
------------------------------------|
------------------------------------|
--L----6-----4----6--6-------4----6-|
Fill:
|-3-| |-3-| |-3-| |--3-| |--3--| |--3--| 3 3 3
T S S S S S S S S S S S S S S S S S S S S T S. X
--L-3-3-3-3-5-8-8-8-8-8-9-10-10-10-10-10-12-13-13-13-13------|
-------------------------------------------------------------|
-------------------------------------------------------------|
-----------------------------------------------------------6-|
This marks the end of the bass part, after this Mike
switches to 12 string. Going slower:
|----3----| 3 3 3 |----3----| 3 3 3
E T Q Q Q Q Q X E T Q Q Q Q Q X
--L--L-1----0-------------------3-|--L--L-1----0-------------------3-|
-----------------3----1----0------|-----------------3----1----0------|
----------------------------------|----------------------------------|
----------------------------------|----------------------------------|
|----3----| 3 3 3 3 3 3 3 3 3
E T Q Q Q Q Q X E T E X T Q Q E X T Q X
--L--L-1----0---------------------|-------3------3---------3------3------|
-----------------3----1----0------|------------------------------------3-|
--------------------------------1-|--L--L-------------1------------------|
----------------------------------|--------------------------------------|
Bass reappears on the Volcano reprise *after* the Squonk part
This is oddly signed, I can't do it right:
|-3| 3
S. T S. E T X T. X S S S S S S S E S S S X
-7----7----------------------7---7--------------|
--------------0---L--L---0-----------0--0-0-----|
--------------------------------------------1-L-|
------------------------------------------------|
3 3
E T T T S E S S S S S S E Q S S S E. X
-------------3--------------3-----------3-------|
----------------------------------------------0-|
--L----1---1----1-1-1---1-1----1----1-1---------|
------------------------------------------------|
|-3| 3
T. X S S S S S S S E S S S X
-------------7---7--------------|
--L--L---0-----------0--0-0-0-L-|
--------------------------------|
--------------------------------|
The ending fanfarre
3 3
S. T T T T T T T T T T T T T T T T T T T T T T T T T T T T T X
-----------------------------------------------------------------|
--L--L-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0---0-|
---------5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-------|
-----------------------------------------------------------------|
W - whole
H - half
Q - quarter
E - 8th
S - 16th
T - 32nd
X - 64th
. - note dotted
|-n-| - n-tuplets
L - tied note
x - dead note
g - grace note
(n) - ghost note
> - accentuded note
NH - natural harmonic
AH - artificial harmonic
TH - tapped harmonic
SH - semi harmonic
PH - pitch harmonic
h - hammer on
p - pull off
b - bend
br - bendRelease
pb - preBend
pbr - preBendRelease
brb - bendReleaseBend
\n/ - tremolo bar dip
\n - tremolo bar dive
-/n - tremolo bar Release up
/n\ - tremolo bar inverted dip
/n - tremolo bar return
-\n - tremolo bar Release down
S - shift slide
s - legato slide
/ - slide into from below or out of upwards
\ - slide into from above or out of downwards
~ - vibrato
W - wide vibrato
tr - trill
TP - tremolo picking
T - tapping
S - slap
P - pop
< - fade in
^ - brush up
v - brush down