9 acessos
Album: XX
Fig.1 ("Death is the diversion...*5th line in the whispered section*)
|-(0)////----------|
|-(0)///-----------|
|-(0)//------------| 1x
|-(0)/Volume-Swell-|
|------------------|
|------------------|
*Play these notes with your left hand,
just before the word 'do', with the volume
knob rolled back to nothing then gradually
open it up to the max*
Fig.2 ("Pray for...")
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------| 1x
|-7-5-7-5-7/8-5--7-5-8-6-9--7-5-7-5-7/8-5--7-5-8-6-9-|
|-7-5-7-5-7/8-5--7-5-8-6-9--7-5-7-5-7/8-5--7-5-8-6-9-|
|----------------------------------------------------|
PM. . . . . . . . . . . . . . . . . . . . . . . *Abrupt stop
Fig.3 ("Piling it too high...")
|----------------------------------|
|----------------------------------|
|----------------------------------| 1x
|----------------------------------|
|--777777777777777777777777777777--|
|----------------------------------|
Fig.4 ("What we leave behind...")
|-------------------------|
|-------------------------|
|-------------------------| 2x
|-------------------------|
|--7----10----9----8------|
|-------------------------|
*Let each of these ring, and change with the synth*
Fig.2 1x ("ways aren't working anymore...")
Fig.3 3x ("whores...")
Fig.5 ("Creepy crawl..." starts on the second pass)
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------| 2x
|---------------------------------------------------------|
|-7-5-7-5-7/8-5--7-6-8-5-9--7-5-7-5-7/8-5--7-6-8-5-10####-|
|---------------------------------------------------------|
*16th notes
Fig.6 ("Twist the 4-5 cap...")
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------| 4x
|---------------------------------------------------------|
|-2-0-2-0-2/3-0--2-1-3-0-4--2-0-2-0-2/3-0--2-1-3-0h(1)/5--|
|-2-0-2-0-2/3-0--2-1-3-0-4--2-0-2-0-2/3-0--2-1-3-0h(1)/5--|
PM. . . . . . . . . . . . . . . . . . . . . . . . *Let ring
Fig.4 2x
Fig.7
|--------|
|--------|
|--------| 1x
|--77-7--|
|--77-7--|
|--------|
Fig.8 ("If it was up to me...")
|----------------|
|----------------|
|----------------| 4x
|----------------|
|-2-0-2-0-2/3-0--|
|-2-0-2-0-2/3-0--|
PM. . . . . . .
Fig.6 4x
Fig.4
Fig.9
|-----------------------------|
|-----------------------------|
|-----------------------------| 2x
|--7------10------9----8------|
|--7-0-0--10-0-0--9-0--8------|
|----0-0-----0-0----0---------|
PM . . . . . *Let ring
Fig.10
|------------------------------|
|------------------------------|
|------------------------------| 3x
|------------------------------|
|--2-0-0--5--0-0--4--0--3------|
|--2-0-0--5--0-0--4--0--3------|
PM . . . . . *Let ring
Fig.11 (THE END!)
|-----------------------------|
|-----------------------------|
|--9------12-----11---10------| 1x
|-----------------------------|
|--7-0-0--10-0-0--9-0--8------|
|----0-0-----0-0----0---------|
PM . . . . . *Let ring till guitars fade out*