10 acessos
ok, this is the easier way without string-skipping as much.
The tuning is Dropped D half Step, so basically tune to drop D, then drop
all the string a semi-tone.
C#|----------------------------------------|
G#|----------------------------------------|
C#|-------9-------------7------------------|
F#|--9--------------------------------9----|
A#|--7--7---7-9h10-7--7----7--9h10--7---7--|
D#|----------------------------------------|
C#|------------------------------------------------|
G#|------------------------------------------------|
C#|----------------------------------------12h11---|
F#|-----9-------12--------------------12---------12|
A#|-------10--------10---------9--10-----9---------|
D#|--10------10---------10-10----------------------|
C#|----------------------------------------|
G#|----------------------------------------|
C#|-------9-------------7------------------|
F#|--9--------------------------------9----|
A#|--7--7---7-9h10-7--7----7--9h10--7---7--|
D#|----------------------------------------|
[Natural harmonics] (the last 4)
C#|--------------------------------------------------||
G#|--------------------------------------------------||
C#|------------------------------------------------7-||
F#|-----9-------12--------------------12------7------||
A#|-------10--------10---------9h10--------7-----7---||
D#|--10------10---------10-10------------------------||
Any mistakes or quiries - J*